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The essential problem with this kind of motion must resemble the creative problem of melody writing it is perhaps in its purest form the most highly concentrated case study of the essence of art itself. No static elements except when it comes to rest it as a path and space which is approximately a trajectory I call it a linear figure. This is one kind of action that I have been exploring asymmetrical not Center oriented a fluid kind of motion that is not stuck in one place. The camera using black and white motion picture film is automatically operated by control signals generated by the computer program at a later stage I recapped the with an optical printer the black and white images on to colour films using an assortment of color filters and superimpose years I am able to produce the images which you will see in the remainder of this film. Control of a computer program is by punch cards not the light pan. One soon learns how to control the graphic possibilities of this new medium and realizes that it is a very powerful and versatile figure generator. Using the light pan numerical values can be chosen and given to any of the parameters of the program. The program is based upon a single polar coordinates equation having about twenty parameters. who developed the computer program for this project is demonstrating the way we select numerical variables that demon a particular graphic pattern. twenty to fifty graphic play console that generates the images in mode which I have been exploring. Regarding design in motion this is the I.B.M. Whitney Distributor New York City Museum of Modern Art Identifier experimentsinmotiongraphics1968 Lccn 78702354 Ocr The feather from clips of film made under a research program and compute the images are a range to illustrate this talk which will be an attempt to suggest some of the formal problems that hold my interest. Addeddate 16:13:20 Boxid IA1113003 Color Color Director John H.

Javascript for impatient programmers torrnet